I change the language with which I use my voice. In opera, I know I have an orchestra behind me; I have to communicate to people very far from me.
Interpretation
The quote emphasizes the importance of adapting one's expression to connect with an audience, especially in performance art.
In this quote, Andrea Bocelli reflects on the transformative power of music and language in connecting with audiences. He highlights how, as an opera singer, he changes the language of his expression to convey emotions universally, supported by the vast musical background of an orchestra. This emphasizes the role of art in transcending barriers and reaching people emotionally, regardless of distance.
In practice
This quote can be used in a speech about the influence of music on culture.
When I get on stage, my first goal is not to show my expertise, but on the contrary, to give a bit of happiness, of joy, of cheerfulness. I am firmly convinced that in order to sing well, you must love your neighbor and be passionate about life.
Opera singing is in every way of inestimable value; a real heritage for all mankind that has been reached over centuries of studies, attempts, flights of the spirit.
To sing opera, one needs two things: the voice and the passion - and above all, the passion.
It's always beautiful to sing with other great voices. I like voices in general. It's a big privilege to have great singers next to me.
A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations. As you become more famous, people come and expect to hear something extraordinary, so you don't want to disappoint them. I feel this sense of responsibility.
A young pregnant wife has been hospitalized for a simple attack of appendicitis. The doctors had to apply ice to her stomach and when the treatments ended the doctors suggested that she abort the child, they told her it was the 'best solution' because the baby would be born with some disability but the young brave wife decided not to abort, and the child was born. That woman was my Mother and I was the child.
The job of a storyteller is to speak the truth. But what we feel most deeply canβt be spoken in words alone. At this level, only images connect. And here, story becomes symbol; symbol is myth. And myth is truth.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
If artists and poets are unhappy, it is after all because happiness does not interest them.
The thought of continually eating something like macaroni, spat out by machinery, fills me with fear and revulsion, so I make macaroni sculptures. I make them and make them and then keep on making them, until I bury myself in the process. I call this 'obliteration.'
You can play a shoestring if you're sincere.
The distinction between a gallery and a museum is enormous. The gallery is about looking at a thing of beauty; the purpose of the activity is an aesthetic response. The museum is actually about the object that lets you get into somebody else's life.
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