The last light, in the last window, went out. Only the unstoppable machine of the sea still tears away at the silence with the cyclical explosion of nocturnal waves, distant memories of sleepwalking storms and the shipwrecks of dream.
Interpretation
The quote reflects on the interplay between human existence and the relentless power of nature.
Alessandro Baricco's quote captures a profound moment where all human activity seems to fade away, leaving only the persistent force of the sea. The imagery conjures a sense of stillness and isolation, contrasting the fleeting nature of dreams and memories with the unyielding, cyclical rhythms of the ocean, highlighting the often-overlooked beauty and turmoil of both the natural world and the human experience.
In practice
This quote could be used in a discussion about the impact of nature on human emotion during a literary reading.
Say the sea. Say the sea. Say the sea. So that perhaps a drop of that magic may wander through time, and something might find it, and save it before it disappears forever. Say the sea. Because it's what we have left. Because faced by the sea, we without crosses, without magic, we must still have a weapon, something, so as not to die in silence, that's all.
I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.
From his tongue flowed speech sweeter than honey.
To create something from nothing is one of the greatest feelings, and I would - I don't know, I wish it upon everybody. It's heaven.
Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with? Probably the one that I haven't hung most with recently.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
Subscribe for the occasional hand-picked quote. No noise.