An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Paul CezanneRead
When the color achieves richness, the form attains its fullness also.
Interpretation
Rich colors enhance the fullness of shapes in art.
Paul Cezanne suggests that in artistic expression, the vibrancy and depth of color contribute significantly to the overall impact of the composition, as a well-executed color palette can elevate the visual experience by complementing the forms within the artwork.
In practice
An art teacher could use this quote to explain the importance of using vibrant colors in painting.
An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Taste is the best judge. It is rare. Art only addresses itself to an excessively small number of individuals.
Monet is only an eye, but my God, what an eye!
If I were called upon to define briefly the word Art, I should call it the reproduction of what the senses preceive in nature, seen through the veil of the soul.
The landscape thinks itself in me and I am its consciousness.
I lack the magnificent richness of color that animates nature.
There is a music for lonely hearts nearly always. If the music dies down there is a silence. Almost the same as the movement of music. To know silence perfectly is to know music.
If, when you wake up in the morning, you can think of nothing but writing . . . then you are a writer.
I have come to the conclusion there is no point making anything if you're not going to make people laugh and cry.
The writer, like a swimmer caught by an undertow, is borne in an unexpected direction. He is carried to a subject which has awaited him--a subject sometimes no part of his conscious plan. Reality, the reality of sensation, has accumulated where it was least sought. To write is to be captured--captured by some experience to which one may have given hardly a thought.
I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.
The eye speaks with an eloquence and truthfulness surpassing speech. It is the window out of which the winged thoughts often fly unwittingly. It is the tiny magic mirror on whose crystal surface the moods of feeling fitfully play, like the sunlight and shadow on a still stream.
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