That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity – that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
Charles BaudelaireRead
The life of our city is rich in poetic and marvelous subjects. We are enveloped and steeped as though in an atmosphere of the marvelous; but we do not notice it.
Interpretation
Life in the city is filled with beauty and wonder that often goes unnoticed.
Charles Baudelaire's quote reflects the idea that urban life is abundant with extraordinary experiences and poetic themes, suggesting that people are often too caught up in their daily routines to appreciate the marvels around them. He invites us to observe and acknowledge the rich tapestry of life that surrounds us, which can inspire a deeper understanding and appreciation of our environment.
In practice
In a speech about urban culture, one could say, 'As Baudelaire reminds us, the life of our city is rich in poetic and marvelous subjects that we often overlook.'
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity – that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
There is no sweeter pleasure than to surprise a man by giving him more than he hopes for.
The priest is an immense being because he makes the crowd believe astonishing things.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
Places have charisma, in short, as much as people do.
True time is four-dimensional.
The tragedy is that we cannot believe the dogmas of religion and metaphysics if we have the strict methods of truth in heart and head, but on the other hand, we have become through the development of humanity so tenderly suffering that we need the highest kind of means of salvation and consolation: whence arises the danger that man may bleed to death through the truth that he realises.
I think sometimes if you are alone, you are freer because your time is your own.
A refusal of praise is a desire to be praised twice.
The starting-point of critical elaboration is the consciousness of what one really is, and is 'knowing thyself'as a product of the historical processes to date, which has deposited in you an infinity of traces, without leaving an inventory.
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