I don't think the world will destroy itself in a nuclear cataclysm. On the contrary, we have the capacity to save ourselves and save the planet, and we will use it.
Isabel AllendeRead
Writing is like making love. Don't worry about the orgasm, just concentrate on the process.
Interpretation
Writing is about enjoying the creative process rather than fixating on the end result.
Isabel Allende's quote illustrates that the act of writing, similar to the act of making love, should be embraced for its own sake. By focusing on the process and letting go of the pressure to achieve a specific outcome, writers can nurture their creativity and find fulfillment in the journey of expression.
In practice
In a writing workshop, a mentor could use this quote to inspire students to focus on their writing practice rather than their grades.
I don't think the world will destroy itself in a nuclear cataclysm. On the contrary, we have the capacity to save ourselves and save the planet, and we will use it.
My mother is a great artist, but she always treated her paintings like minor postcards. Had she pursued it, she would have been a great artist. Instead, she looked down on her art.
I never try to convey a message, I just want to tell a story. Why that story in particular? I have no idea, but I have learned to surrender to the muse. I become obsessed with a theme or with certain stories; they haunt me for years, and finally, I write them.
My life is about ups and downs, great joys and great losses.
I'm interested in people who have to overcome obstacles, people who are not sheltered by the umbrella of the establishment, marginals.
I'm a writer. In Latin America, they say I'm a Latin-American writer because I also write in Spanish and my books are translated, but I am an American citizen and my books are published here, so I'm also an American writer.
Certainly, the Hollywood cinema, there's almost nothing of interest coming out of there.
Those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche experiences - they are not. Audiences want to see them and, in fact, they earn money. The world is round, people.
Everything we see hides another thing, we always want to see what is hidden by what we see.
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
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