I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
John Le CarreRead
Like every novelist, I fantasise about film. Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from, and they're also relying tremendously on the creative imagination of the reader.
Interpretation
Novels are like films created in the imagination of the reader, with writers crafting vivid scenes.
In this quote, John Le Carre reflects on the similarities between novel writing and filmmaking. He suggests that novelists, while lacking the technical skills to make films, still create their own cinematic experience through their writing. They engage the reader's imagination to fill in visual and emotional details, making the reading experience akin to watching a movie in the mind's eye.
In practice
During a literary discussion, you might say this quote to emphasize the creative power of novelists.
I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
In every war zone that I've been in, there has been a reality and then there has been the public perception of why the war was being fought. In every crisis, the issues have been far more complex than the public has been allowed to know.
The cat sat on the mat is not a story. The cat sat on the other cat’s mat is a story.
The monsters of our childhood do not fade away, neither are they ever wholly monstrous.
Coming home from very lonely places, all of us go a little mad: whether from great personal success, or just an all-night drive, we are the sole survivors of a world no one else has ever seen.
If I had to put a name to it, I would wish that all my books were entertainments. I think the first thing you've got to do is grab the reader by the ear, and make him sit down and listen. Make him laugh, make him feel. We all want to be entertained at a very high level.
Tell me a story._x000D_ In this century, and moment, of mania,_x000D_ Tell me a story._x000D_ Make it a story of great distances, and starlight._x000D_ The name of the story will be Time,_x000D_ But you must not pronounce its name._x000D_ Tell me a story of deep delight.
No matter what anybody thinks about any of them, every record I've done has been done with the same amount of care, anguish, pain, suffering, and joy.
My only problem with fans is when they turn pro. For example, when all the professional writers were fired by DC in the '60s, they brought in a generation of comic book fans who would have paid to have written these stories.
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
I have a strong sense that every project is an invention, which is not a word I hear being used in architecture courses.
Think of the magic of that foot, comparatively small, upon which your whole weight rests. It's a miracle, and the dance is a celebration of that miracle.
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