You've got to have something to eat and a little love in your life before you can hold still for any damn body's sermon on how to behave.
Billie HolidayRead
I try to improvise like Les Young, Louis Armstrong or someone else I admire. What comes out is what I feel.
Interpretation
The quote expresses the importance of improvisation and personal expression in artistic endeavors.
Billie Holiday emphasizes the significance of spontaneity in art, drawing inspiration from musicians she admires like Les Young and Louis Armstrong. Her statement underscores that true artistic expression stems from one's feelings and experiences, resulting in a unique and authentic output that reflects one's inner self.
In practice
During a workshop on creativity, one might quote this to encourage participants to embrace improvisation.
You've got to have something to eat and a little love in your life before you can hold still for any damn body's sermon on how to behave.
One day a whole damn song fell into place in my head.
I'm always making a comeback but nobody ever tells me where I've been.
A kiss that is never tasted, is forever and ever wasted.
Don't threaten me with love, baby. Let's just go walking in the rain.
I joined Count Basie's band to make a little money and to see the world. For two years I didn't see anything but the inside of a Blue Goose bus, and I never got to send home a quarter.
A great emotion is too selfish ; it takes into itself all the blood of the spirit, and the congestion leaves the hands too cold to write. Three sorts of emotion produce great poetry - strong but quick emotions, seized upon for art as soon as they have passed, but not before they have passed ; strong and deep emotions in their remembrance along time after ; and false emotions, that is to say, emotions felt in the intellect. Not insincerity, but a translated sincerity, is the basis of all art.
Every painting is a voyage into a sacred harbor.
The music, while it lasted, brought a new world into being.
They arose in my mind as 'given' things, and as they came, separately, so too the links grew. An absorbing, though continually interrupted labour (especially, even apart from the necessities of life, since the mind would wing to the other pole and spread itself on the linguistics): yet always I had the sense of recording what was already 'there', somewhere: not of 'inventing'.
Against barbarity, poetry can resist only by confirming its attachment to human fragility like a blade of grass growing on a wall while armies march by.
You're...writing for other writers to an extent-the dead writers whose work you admire, as well as the living writers you like to read.
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