Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
I like to feel like you can bite my paintings. Not to eat them, to hurt them. I like to feel like I'm painting with my teeth.
Interpretation
What this quote means
David Lynch expresses a raw, visceral connection to his art, emphasizing emotional intensity over technical precision.
In this quote, David Lynch conveys the idea that creating art is a deeply personal and physical experience, akin to a primal act where he feels an urge to engage with his paintings in a way that transcends conventional techniques. Lynch's metaphor of 'biting' his paintings symbolizes a fierce, almost aggressive passion for his work, highlighting the emotional stakes involved in the creative process, suggesting that true art should evoke powerful feelings rather than merely aesthetic appreciation.
Themes
In practice
Example use cases
This quote could be used in a discussion about the emotional impact of art during a gallery opening.
More from David Lynch
All quotes βYou don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
In todayβs world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
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If you foolishly ignore beauty, then you will soon find yourself without it.
Whatever's merely willful, and not miraculous (be never it so skilful) must wither fail and cease - but better than to grow beauty knows no.
If you get something right, you really feel it, right in your chest, on stage. I think it's an incomparable experience.
My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.
Look, people are allowed their own opinions and they don't always coincide with yours. As an artist you just have to keep plugging on.
When asked, 'How do you write?' I invariably answer, 'one word at a time.'