Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
Jackson PollockRead
The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.
Interpretation
The modern artist conveys their inner feelings and energies through their work.
Jackson Pollock emphasizes that modern art is not just about external beauty or representation, but rather about expressing the artist's internal experiences, emotions, and dynamic forces. This perspective suggests that art is a reflection of the artistβs inner world, capturing their energy and the complexities of their thoughts and feelings in a visceral way.
In practice
During a lecture on contemporary art, I would quote Pollock to illustrate how artists convey emotions through their work.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
I don't paint nature. I am nature.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
My painting does not come from the easel.
I've been thinking of death a lot, and I am amazed by its inevitability, frightened, as we all are, of the totally unknown, and yet feel a long sleep is somehow earned by those of us who live on the edge.
Any photograph has multiple meanings: indeed, to see something in the form of a photograph is to encounter a potential object of fascination. The ultimate wisdom of the photographic image is to say: βThere is the surface. Now think β or rather feel, intuit β what is beyond it, what the reality must be like if it looks this way.β Photographs, which cannot themselves explain anything, are inexhaustible invitations to deduction, speculation, and fantasy
As it grows ever more complicated today, musical art seeks out combinations more dissonant, stranger, and harsher for the ear. Thus, it comes ever closer to the noise-sound.
When I decided to write 'The God of Small Things', I had been working in cinema. It was almost a decision to downshift from there. I thought that 300 people would read it. But it created a platform of trust.
I write scenes - often quite long scenes - mainly because I still get seduced into writing six lines where one and a half will do.
To me, beauty is inclusion - every size, every color - that's the world I live in.
When I discovered the lyric poem, that advanced not by narrative steps but by blocks and layers of imagery, I said, 'Gee, I probably could do that. So let me try that.'
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