I don't like the word 'autobiography.' I rather like the term 'autofiction.' The second you make a script out of the story of your life, it becomes fictional. Of course, the truth is never far. But the story is created out of it.
Interpretation
The term 'autofiction' highlights the blend of reality and imagination in narrating one's life.
Marjane Satrapi's quote reflects on the nature of personal storytelling, emphasizing that when we recount our lives, we inevitably infuse our narratives with fictional elements. While the foundation of these stories is rooted in truth, the act of creating a structured story transforms it into something that extends beyond mere fact, showcasing the art of storytelling that intertwines reality with creativity.
In practice
In a discussion about memoirs vs. novels, this quote illustrates the complexity of writing about one's life.
It is dangerous when you start calling people from one part of the world terrorists or fanatic, and you reduce them to some abstract notion. If evil has a geographical place, and if the evil has a name, that is the beginning of fascism. Real life is not this way. You have fanatics and narrow-minded people everywhere.
If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.
I'm not a politician. I don't know how to solve the problems of the world. But as an artist, I have one duty: to ask questions.
I'm not a politician because I'm an artist. Politicians have a very easy answer for a very complicated question. I have a very complicated question for what you consider very easy situations.
For me, drawing is a question of death and life. Every day I draw, I write, I do something.
My mother always told me I had to do 100 times better than a man. I had to work hard at maths, and learn four languages.
Of all the statist violations of individual rights in a mixed economy, the military draft is the worst. It is an abrogation of rights. It negates man’s fundamental right-the right to life-and establishes the fundamental principle of statism: that a man’s life belongs to the state, and the state may claim it by compelling him to sacrifice it in battle. Once that principle is accepted, the rest is only a matter of time.
He who has attained the freedom of reason to any extent cannot, for a long time, regard himself otherwise than as a wanderer on the face of the earth - and not even as a traveler towards a final goal, for there is no such thing. But he certainly wants to observe and keep his eyes open to whatever actually happens in the world; therefore he cannot attach his heart too firmly to anything individual; he must have in himself something wandering that takes pleasure in change and transitoriness.
Thus Carol hit upon the tragedy of old age, which is not that it is less vigorous than youth, but that it is not needed by youth.
Man is to become divine by realizing the divine. Idols or temples, or churches or books, are only the supports, the help of his spiritual childhood.
Propaganda is to a democracy what violence is to a dictatorship.
"What would you do with the lazy ones, who would not work?" "No one is lazy. They grow hopeless from the misery of their present existence, and give up. Under our order of things, every man would do the work he liked, and would have as much as his neighbor, so could not be unhappy and discouraged."
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