Everyone is welcome in drag. Everyone is important and valuable.
Sasha VelourRead
There are no limits to what kind of bodies, which types of people, which genders, or what races can do amazing drag, and I think the audience is clamoring fighting with each other more and more to see drag represented as fully as it possibly can be.
Interpretation
Drag performance transcends boundaries of identity, encouraging diversity and representation.
This quote by Sasha Velour emphasizes that drag artistry knows no bounds regarding the various identities, genders, and races of performers. It celebrates the growing demand from audiences for authentic and diverse representations in drag, highlighting the art form's inclusivity and the rich tapestry of human experience it can portray.
In practice
In a discussion about the importance of diversity in performance art.
Everyone is welcome in drag. Everyone is important and valuable.
I hope we see more avenues for representation. More TV shows and films starring queer people, especially QPOC and nonbinary folks, more mainstream press coverage of our artwork and fashion, and more representation of our interests within politics.
What I love so much about drag is that it has politics at its very core; drag performers aren't afraid to talk about politics in our community and the changes we need to see systemically in society.
Drag is literally so ancient that it predates modern understanding of gender, of transness, of queerness. Drag predates modern ideas of gender, of theater at all. Drag predates the word 'drag' itself.
Drag, at its core, is about honoring yourself and your own unique way of being a gendered, queer person. Your own unique way of using fashion to express yourself.
Drag has always inspired people to come together to be joyous and fight for what matters. If we can do it through beauty and positivity and lip-syncing our favorite pop songs, then let's do it.
There was something in her movements that made you think she never walked but always danced.
There is no such thing as a moral or an immoral book. Books are well written, or badly written.
The first thing that an architect must do is to sense that every building you build is a world of its own, and that this world of its own serves an institution.
What I am trying to translate to you is more mysterious, it is entwined in the very roots of being, in the implacable source of sensations.
My style says, 'Look at me, don't look at me.'
Art happens-no hovel is safe from it, no prince may depend upon it, the vastest intelligence cannot bring it about.
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