Everyone is welcome in drag. Everyone is important and valuable.
Sasha VelourRead
Drag, at its core, is about honoring yourself and your own unique way of being a gendered, queer person. Your own unique way of using fashion to express yourself.
Interpretation
The quote emphasizes the importance of self-expression and individuality in the context of gender and fashion.
Sasha Velour's quote encapsulates the essence of drag culture, which encourages individuals to celebrate their unique identities and express themselves authentically through fashion. It highlights that drag is not just a performance art, but a profound act of self-honoring that embraces diverse expressions of gender and queerness, encouraging people to embrace and showcase their true selves without fear of judgment.
In practice
This quote can be used in a speech at a pride event to inspire self-acceptance.
Everyone is welcome in drag. Everyone is important and valuable.
I hope we see more avenues for representation. More TV shows and films starring queer people, especially QPOC and nonbinary folks, more mainstream press coverage of our artwork and fashion, and more representation of our interests within politics.
What I love so much about drag is that it has politics at its very core; drag performers aren't afraid to talk about politics in our community and the changes we need to see systemically in society.
Drag is literally so ancient that it predates modern understanding of gender, of transness, of queerness. Drag predates modern ideas of gender, of theater at all. Drag predates the word 'drag' itself.
There are no limits to what kind of bodies, which types of people, which genders, or what races can do amazing drag, and I think the audience is clamoring fighting with each other more and more to see drag represented as fully as it possibly can be.
Drag has always inspired people to come together to be joyous and fight for what matters. If we can do it through beauty and positivity and lip-syncing our favorite pop songs, then let's do it.
The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.
Older people say, 'Oh I loved you in 'Sense and Sensibility,'' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
I want to do work that means something to me so that when I go to work at the theater eight times a week, I want to be there.
Photography has become so fundamental to the way we see that 'photography' and 'seeing' are becoming more and more synonymous. The ubiquity of photography is, perhaps ironically, a challenge to curators, practitioners, and critics.
The love of beauty in its multiple forms is the noblest gift of the human cerebrum.
I think now that the great thing is not so much the formulation of an answer for myself, for the theater, or the play-but rather the most accurate possible statement of the problem.
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