And enough for me that when my hand touched your shoulder, you leaned on me; and when you felt me slip away, you called my name.
Orson Scott CardRead
The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.
Interpretation
The audience interprets and shapes a story through their personal experiences and emotions.
This quote by Orson Scott Card highlights the interactive relationship between a storyteller and their audience. It emphasizes that while the author provides the framework of a story, it is ultimately the audience's individual experiences, emotions, and aspirations that breathe life into that narrative, making it uniquely theirs. The complexity of storytelling lies not just in the words written, but in the subjective interpretations each listener brings to those words.
In practice
In a creative writing workshop to explain the importance of audience interpretation.
And enough for me that when my hand touched your shoulder, you leaned on me; and when you felt me slip away, you called my name.
The world is always a democracy in times of flux, and the man with the best voice will win.
Never mind that the story had turned out to be lies and foolishness—there was always folks stupid enough to say, Where there's smoke there's fire, when the saying should have been, Where there's scandalous lies there's always malicious believers and spreaders-around, regardless of evidence.
The lives of all people flow through time, and, regardless of how brutal one moment may be, how filled with grief or pain or fear, time flows through all lives equally.
You take a step, then another. That's the journey. But to take a step with your eyes open is not a journey at all, it's a remaking of your own mind.
I've had your tears with mine, and you've had mine with yours. I think that's more intimate even than a kiss.
I would be the unhappiest person imaginable, confronted daily with disastrous works crying out with errors, imprecision, carelessness, amateurishness. I avoided this punishment by destroying them, I thought, and suddenly I took great pleasure in the word destroying.
Songwriting is my gift from God
I look around, and 50 percent of the big-budget entertainment you are seeing these days is dystopian. This is the era of 'Hunger Games' and blasted landscapes and 'The Walking Dead.'
He has Van Gogh's ear for music.
I have a mess in my head sometimes, and there's something very satisfying about putting it into words. Certainly it's not something that you're in charge of, necessarily, but writing about it, putting it into your words, can be a very powerful experience.
We worked the medley on side two of "Abbey Road" out carefully in advance. All of those mini songs were partly completed tunes; some were written while we were in India a year before. So there was just a bit of chorus here and a verse there. We welded them all together into a routine.
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