And enough for me that when my hand touched your shoulder, you leaned on me; and when you felt me slip away, you called my name.
Orson Scott CardRead
The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.
Interpretation
The audience interprets and shapes a story through their personal experiences and emotions.
This quote by Orson Scott Card highlights the interactive relationship between a storyteller and their audience. It emphasizes that while the author provides the framework of a story, it is ultimately the audience's individual experiences, emotions, and aspirations that breathe life into that narrative, making it uniquely theirs. The complexity of storytelling lies not just in the words written, but in the subjective interpretations each listener brings to those words.
In practice
In a creative writing workshop to explain the importance of audience interpretation.
And enough for me that when my hand touched your shoulder, you leaned on me; and when you felt me slip away, you called my name.
The world is always a democracy in times of flux, and the man with the best voice will win.
Never mind that the story had turned out to be lies and foolishness—there was always folks stupid enough to say, Where there's smoke there's fire, when the saying should have been, Where there's scandalous lies there's always malicious believers and spreaders-around, regardless of evidence.
The lives of all people flow through time, and, regardless of how brutal one moment may be, how filled with grief or pain or fear, time flows through all lives equally.
You take a step, then another. That's the journey. But to take a step with your eyes open is not a journey at all, it's a remaking of your own mind.
I've had your tears with mine, and you've had mine with yours. I think that's more intimate even than a kiss.
Fantasy is my genre and my home in the writing world. I consider it the biggest writing room in all literature, where there are literally no boundaries at all.
Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing.
When the world becomes a massive mess with nobody at the helm, it's time for artists to make their mark.
I am always worried that over-planning and outlining will kill the magic of writing; most of the world I created in 'California' occurred via good old sexy sentence-making.
Everyone is not able, or inclined, to write poetry in the narrower sense any more than everyone is qualified to take part in a walking race. But just as all of us can and do walk, so all of us can and do use language poetically.
Obviously I am a photographer and I believe in my medium: I do think that powerful photographs can force change. It doesn't take long to look and be engaged in a strong image whereas, with a story, you have to actually sit down and pause and be involved in it.
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