Women know the way to rear up children (to be just). They know a simple, merry, tender knack of tying sashes, fitting baby-shoes, and stringing pretty words that make no sense. And kissing full sense into empty words.
Elizabeth Barrett BrowningRead
With stammering lips and insufficient sound I strive and struggle to deliver right the music of my nature.
Interpretation
What this quote means
The quote expresses the challenge of articulating one's true self and emotions through artistic expression.
In this quote, Elizabeth Barrett Browning reflects on the difficulty of communicating the depths of one's inner feelings and natural essence. Despite her efforts being hindered by imperfections in speech and sound, she continues to strive for authenticity and connection through her art, suggesting that the struggle itself is a vital part of the creative process.
Themes
ArtExpressionChallengeCreativityStruggle
In practice
Example use cases
This quote can be used in a speech about the importance of self-expression in art.
More from Elizabeth Barrett Browning
All quotes →She has seen the mystery hid Under Egypt's pyramid: By those eyelids pale and close Now she knows what Rhamses knows.
Elizabeth Barrett BrowningRead
First time he kissed me, he but only kissed The fingers of this hand wherewith I write; And, ever since, it grew more clean and white.
Elizabeth Barrett BrowningRead
Earth's crammed with heaven, And every common bush afire with God: But only he who sees takes off his shoes.
Elizabeth Barrett BrowningRead
Our Euripides the human, With his droppings of warm tears, and his touchings of things common Till they rose to meet the spheres.
Elizabeth Barrett BrowningRead
Love me sweet With all thou art Feeling, thinking, seeing; Love me in the Lightest part, Love me in full Being.
Elizabeth Barrett BrowningRead
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For me, the creation of a photograph is experienced as a heightened emotional response, most akin to poetry and music, each image the culmination of a compelling impulse I cannot deny. Whether working with a human figure or a still life, I am deeply aware of my spiritual connection with it. In my life, as in my work, I am motivated by a great yearning for balance and harmony beyond the realm of human experience, reaching for the essence of oneness with the Universe.
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Expression for me does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive; the place occupied by my figures, the empty space around them, the proportions, everything has its share.
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The seeming significance of nature's appearances, their unchanging strangeness to the senses, and the thrilling response which they awaken in the mind of man . . . If we could only write near enough to the facts, and yet with no pedestrian calm, but ardently, we might transfer the glamour of reality direct upon our pages.
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