I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
John Le CarreRead
I don't know the literary world; I was scared of being confronted with famous names, not knowing what they had written. It was occupied territory I was entering.
Interpretation
The author expresses fear and apprehension about entering the literary world, feeling intimidated by established writers.
In this quote, John Le Carre captures the anxiety that can accompany the pursuit of a creative career, particularly in literature. The fear of inadequacy when faced with the works and reputations of well-known authors can make the literary landscape seem daunting and off-limits, referred to here as 'occupied territory'. This sentiment resonates with many aspiring writers who may feel overwhelmed by the legacies of those who came before them.
In practice
Using this quote in a discussion about the challenges faced by new writers at a literary conference.
I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
In every war zone that I've been in, there has been a reality and then there has been the public perception of why the war was being fought. In every crisis, the issues have been far more complex than the public has been allowed to know.
The cat sat on the mat is not a story. The cat sat on the other catβs mat is a story.
The monsters of our childhood do not fade away, neither are they ever wholly monstrous.
Coming home from very lonely places, all of us go a little mad: whether from great personal success, or just an all-night drive, we are the sole survivors of a world no one else has ever seen.
If I had to put a name to it, I would wish that all my books were entertainments. I think the first thing you've got to do is grab the reader by the ear, and make him sit down and listen. Make him laugh, make him feel. We all want to be entertained at a very high level.
A book is sent out into the world, and there is no way of fully anticipating the responses it will elicit. Consider the responses called forth by the Bible, Homer, Shakespeare - let alone contemporary poetry or a modern novel.
We tend to regard history as true and 'The Adventures of Huckleberry Finn' as untrue. That's always puzzled me.
I don't believe chance can play a role in my literature.
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be a heroine... But from fifteen to seventeen she was in training for a heroine.
Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.
I can tell you that as a writer and as a reader, I regard character as king. Or queen. No matter how riveting the action or interesting the plot twists, if I don't feel like I'm meeting someone who feels real, I'm not going to be compelled to read further.
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