There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature.
Washington IrvingRead
The literary world is made up of little confederacies, each looking upon its own members as the lights of the universe; and considering all others as mere transient meteors, doomed to soon fall and be forgotten, while its own luminaries are to shine steadily into immortality.
Interpretation
Literary communities value their own members highly while dismissing others as fleeting.
Washington Irving's quote reflects the insular nature of literary groups, where writers and thinkers tend to elevate their own to a status of significance and importance, viewing external voices as temporary and unworthy of lasting recognition. This perspective fosters an appreciation for one's own community but can also lead to a narrow vision of literary merit.
In practice
In a literary lecture, highlighting how writers view their peers.
There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature.
There is a sacredness in tears. They are not the mark of weakness, but of power. They speak more eloquently than ten thousand tongues. They are the messengers of overwhelming grief, of deep contrition, and of unspeakable love.
Sweet is the memory of distant friends! Like the mellow rays of the departing sun, it falls tenderly, yet sadly, on the heart.
Love is never lost. If not reciprocated, it will flow back and soften and purify the heart.
The easiest thing to do, whenever you fail, is to put yourself down by blaming your lack of ability for your misfortunes.
If I can, by a lucky chance, in these uneasy days, rub out one wrinkle from the brow of care, or beguile the heavy heart of one moment of sadness; if I can, how and then, prompt a happier view of human nature, and make my reader more in good humor with his fellow-beings and himself, surely, I shall not have written in vain.
Belief in one's identity as a poet or writer prior to the acid test of publication is as naive and harmless as the youthful belief in one's immortality... and the inevitable disillusionment is just as painful.
Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.
It is with noble sentiments that bad literature gets written.
People write memoirs because they lack the imagination to make things up.
Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it.
Novelists, it seems to me, are the very last people who should be asked to comment on the news of the day, and sooner or later, when they have been pilloried for their views, most of them recognise this.
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