There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature.
Washington IrvingRead
The literary world is made up of little confederacies, each looking upon its own members as the lights of the universe; and considering all others as mere transient meteors, doomed to soon fall and be forgotten, while its own luminaries are to shine steadily into immortality.
Interpretation
Literary communities value their own members highly while dismissing others as fleeting.
Washington Irving's quote reflects the insular nature of literary groups, where writers and thinkers tend to elevate their own to a status of significance and importance, viewing external voices as temporary and unworthy of lasting recognition. This perspective fosters an appreciation for one's own community but can also lead to a narrow vision of literary merit.
In practice
In a literary lecture, highlighting how writers view their peers.
There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature.
There is a sacredness in tears. They are not the mark of weakness, but of power. They speak more eloquently than ten thousand tongues. They are the messengers of overwhelming grief, of deep contrition, and of unspeakable love.
Sweet is the memory of distant friends! Like the mellow rays of the departing sun, it falls tenderly, yet sadly, on the heart.
Love is never lost. If not reciprocated, it will flow back and soften and purify the heart.
The easiest thing to do, whenever you fail, is to put yourself down by blaming your lack of ability for your misfortunes.
If I can, by a lucky chance, in these uneasy days, rub out one wrinkle from the brow of care, or beguile the heavy heart of one moment of sadness; if I can, how and then, prompt a happier view of human nature, and make my reader more in good humor with his fellow-beings and himself, surely, I shall not have written in vain.
It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham. He was always so entirely there.
A novel is not moral in the usual sense of the word. It can be called moral when it shakes us out of our stupor and makes us confront the absolutes we believe in.
Novelists go about the strenuous business of marrying and burying their people, or else they send them to sea, or to Africa, or at the least, out of town. Essayists in their stillness ponder love and death.
If a secret history of books could be written, and the author's private thoughts and meanings noted down alongside of his story, how many insipid volumes would become interesting, and dull tales excite the reader!
Great, big, serious novels always get awards. If it's a battle between a great, big, serious novel and a funny novel, the funny novel is doomed.
I can think of no other writer who so thoroughly embodies the Jamesian spirit as Alison Lurie. Like him she can excavate all the possibilities of a theme. Like his, her books seem long, unbroken threads, seamless progressions of effects.
Subscribe for the occasional hand-picked quote. No noise.