Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Susan SontagRead
If literature has engaged me as a project, first as a reader, then as a writer, it is as an extension of my sympathies to other selves, other domains, other dreams, other territories.
Interpretation
Literature connects us with diverse perspectives and experiences.
In this quote, Susan Sontag expresses that her involvement with literature, both as a reader and a writer, serves as a way to expand her understanding and empathy towards other people and their unique experiences. Literature allows exploration beyond one's own life, engaging with various dreams and realities, and fostering a deeper connection to humanity.
In practice
In a book club discussion about personal growth through reading.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.
Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make commercial films with chinoiserie. I refused.
I am sure that as a woman I can do a very good skyscraper.
What am I in the eyes of most people - a nonentity, an eccentric, or an unpleasant person - somebody who has no position in society and will never have; in short, the lowest of the low. All right, then - even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.
When people ask me if I went to film school I tell them, 'no, I went to films.'
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
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