That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
Charles BaudelaireRead
How little remains of the man I once was, save the memory of him! But remembering is only a new form of suffering.
Interpretation
This quote reflects on the transformation of the self and the pain associated with memory.
Charles Baudelaire expresses a deep sense of loss and nostalgia for his former self, suggesting that while memories can serve as a connection to the past, they can also become a source of suffering. The acknowledgment that 'how little remains' indicates a significant change in identity, raising profound questions about the essence of self and the impact of time on personal evolution.
In practice
In a reflective speech about personal growth and change.
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
There is no sweeter pleasure than to surprise a man by giving him more than he hopes for.
The priest is an immense being because he makes the crowd believe astonishing things.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
There is a way of losing that is finding. When soul overmasters sense. When the noble and divine self overcomes the lower self. When duty and honor and love immortal things bid the mortal perish. It is only when a man supremely gives that he supremely finds
The greatest dread of ordinary man is death, with its rude imposition interrupting fortuitous plans and fondest attachments with an unknown and unwelcome change. The yogi is a conqueror of the grief associated with death. By control of mind and life force and the development of wisdom, he makes friends with the change of consciousness called death-he becomes familiar with the state of inner calmness and aloofness from identification with the mortal body.
Let us say what we feel, and feel what we say; let speech harmonize with life.
Emotions are enmeshed in the neural networks of reason.
We are ever dying to one world and being born into another.
And didn't it always go like that--body parts not lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting.
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