If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
B. B. KingRead
In our local Baptist church, I sang in the choir and formed a gospel quartet. When our minister caught me messing with his guitar, he taught me three positions - one, four and five. After that, I taught myself to play.
Interpretation
This quote reflects the importance of mentorship and self-education in the pursuit of oneβs passions.
B. B. King's quote highlights the foundational experiences in his musical journey, emphasizing how a mentor's guidance in learning basic chord positions enabled him to explore and teach himself the craft of playing the guitar. This illustrates the idea that initial support and encouragement can spark a deeper personal exploration and mastery of a skill.
In practice
Sharing this quote during a music workshop to inspire beginners.
If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
A guitar is like an old friend that is there with me.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
People all over the world have problems. And as long as people have problems, the blues can never die.
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
We may be sure that a genius like Mozart, were he born today, would write concertos like Chopin and not like Mozart.
If you've got a problem, take it out on a drum.
You ask for your audience's investment in your music; you're in a relationship with them. And their relationship with the E Street Band is separate from whatever else I might do. I like the idea of us being something that people rely on.
I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.
It's a folk singer's job to comfort disturbed people and to disturb comfortable people
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