I'm really glad I didn't have kids earlier, because I probably would have ignored them. I was so into my career. I could just go and play a ton of shows, night after night after night. I can't do that anymore.
Bob SegerRead
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
Interpretation
What this quote means
The quote reflects on the value of revisiting past works and recognizing their significance.
Bob Seger shares his evolving perspective on creating a box set, initially viewing it as a sign of running out of new ideas. Upon revisiting his older music, he realizes that these forgotten tracks have value and resonance, suggesting that revisiting the past can reveal treasures that still hold meaning and can be appreciated by listeners.
Themes
MusicReflectionNostalgiaCreativityRevisit
In practice
Example use cases
In a speech at a music festival, a songwriter might share this quote to emphasize the importance of reflecting on one's artistic journey.
More from Bob Seger
All quotes →I write a lot of songs people don't hear. I really just enjoy the process. I finish 'em all. I don't think there's a whole lot of difference between the bad ones and the good ones.
Bob SegerRead
It took me a long time to learn how to write a good song.
Bob SegerRead
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As to the number of novels I've abandoned... I shudder to think. I have thrown away five completed novels, and that's a gruesome enough figure. But not necessarily a waste of effort.
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When I am dancing, it feels like my prayer. It's like an offering. I offer my head back to the dance, I offer my shoulders back to the dance, my elbows, my hands, my spine, my knees, my feet, my whole self, my bones, my blood, my experience, my suffering... I offer it all back to the dance and I say: take it, do whatever you want with me. Release me.
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I equate composing with orchestrating. I think my music in terms of an orchestra.
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Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.
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Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.
Isadora DuncanRead