Failures are inevitable. Unfortunately, in film they live for ever and they're 40 ft wide and 20 ft high.
Harrison FordRead
I think what a lot of action movies lose these days, especially the ones that deal with fantasy, is you stop caring at some point because you've lost human scale.
Interpretation
The quote suggests that modern action movies often neglect the human element, making it difficult for audiences to connect emotionally.
Harrison Ford's observation highlights a common issue in contemporary action and fantasy films: the overwhelming focus on grand, fantastical elements can overshadow the relatable, human experience. This loss of 'human scale' diminishes emotional engagement, leading to a viewer's disconnection from the narrative and characters. For a story to resonate, it must maintain a balance between the extraordinary and the human experience.
In practice
During a film critique blog post discussing the latest action blockbuster.
Failures are inevitable. Unfortunately, in film they live for ever and they're 40 ft wide and 20 ft high.
We all have big changes in our lives that are more or less a second chance.
Our health relies entirely on the vitality of our fellow species on Earth.
To me, success is choice and opportunity.
'Years of Living Dangerously' is a wonderful opportunity to reach a lot of people with the story and importance of climate change in our lives; in recent history, there's no bigger threat to the quality of human life than what is taking place right now in respect of climate change.
Bikes and planes aren’t about going fast or having fun; they’re toys, but serious ones.
I went to Second City, where you learned to make the other actor look good so you looked good and National Lampoon, where you had to create everything out of nothing, and SNL, where you couldn't make any mistakes, and you learned what collaboration was.
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
Art has nothing to do with clarity, does not dabble in the clear and does not make clear
I've always envied people who compose music or paint, because they don't have to be bothered with the sort of crude mess that language normally is, in everyday life and in the way we use it.
I believe the right question to ask, respecting all ornament, is simply this; was it done with enjoyment, was the carver happy while he was about it?
I used to enjoy using dots where they would be least expected, not at the end of a sentence but in the middle, creating the effect... of a skipped beat. It seemed to me the mind reacted - first!... in dots, dashes, and exclamation points, then rationalized, drew up a brief, with periods.
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