I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me, do something for me. If I don't get it, it's not going to move people, and if it's not going to move people, it's not going to happen.
Interpretation
The quote emphasizes the importance of meaningful lyrics in music and their ability to resonate with people.
Ray Charles highlights that the power of a song lies in its lyrics and storytelling. He believes that if the words do not resonate with him, they are unlikely to connect with others, thus underscoring the need for authenticity and emotional depth in songwriting.
In practice
In a discussion about songwriting techniques, this quote can illustrate the importance of meaningful lyrics.
I suppose I've always done my share of crying, especially when there's no other way to contain my feelings. I know that men ain't supposed to cry, but I think that's wrong. Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. Oh yes, I cry.
I never wanted to be famous. I only wanted to be great.
To me, music is entertainment - what else can it be? In fact, it's the only language I know of that's universal.
Just because you can't see anything , doesn't mean you should shut your eyes.
Any artist, when he goes in to record, should have the feeling that any song he records can be a hit. This may sound egotistical, but it makes sense.
When I started to sing like myself - as opposed to imitating Nat Cole, which I had done for a while - when I started singing like Ray Charles, it had this spiritual and churchy, this religious or gospel sound. It had this holiness and preachy tone to it. It was very controversial. I got a lot of criticism for it.
I concentrate in my work on preserving and displaying the original flavor from each ingredient in a dish.
When I sang my American folk melodies in Budapest, Prague, Tiflis, Moscow, Oslo, or the Hebrides or on the Spanish front, the people understood and wept or rejoiced with the spirit of the songs. I found that where forces have been the same, whether people weave, build, pick cotton, or dig in the mine, they understand each other in the common language of work, suffering, and protest.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
There were some advantages to being a woman photographer. I think women have more empathy with the subject.
But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
While I admire writers who are able to write with a vitality based on order and action, I work in a different vein. I often feel that if I can get the language just right, the language hypnotizes the reader.
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