Sweet is the voice of a sister in the season of sorrow.
Benjamin DisraeliRead
Man is made to create, from the poet to the potter.
Interpretation
This quote emphasizes the innate human drive to create in various forms, from poetry to pottery.
Benjamin Disraeli's quote highlights the fundamental nature of humanity as creators. It suggests that whether through the written word, visual arts, or other forms of craftsmanship, every person possesses a unique ability to express themselves and contribute to the world through creativity.
In practice
In a discussion about the importance of art education, this quote can be used to emphasize that all forms of artistic expression are valuable.
Sweet is the voice of a sister in the season of sorrow.
But what minutes! Count them by sensation, and not by calendars, and each moment is a day.
Grief is the agony of an instant. The indulgence of grief the blunder of a life.
Action may not always bring happiness; but there is no happiness without action.
Yes, I am a Jew and when the ancestors of the right honorable gentleman were brutal savages in an unknown island, mine were priests in the temple of Solomon.
The practice of politics in the East may be defined by one word: dissimulation.
So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it's the hardest to do anything with. That's about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.
I like touring extensively because I think the more hours you spend onstage, the more you know who you are onstage.
There's nothing worse than sitting down to write a novel and saying, 'Well, okay, I'm going to do something of high artistic worth.'
I am a professional photographer because it is the best way I know to earn the money I require to take care of my wife and children.
Poets are excellent students of blizzards and salt and broken statuary, but they are always elsewhere for the test. Any intention in the writing of poetry besides the aim to make a poem, of engaging the materials, SHOULD be disappointed. If the poet does not have the chutzpah to jeopardize habituated assumptions and practices, what will be produced will be sleep without dream, a copy of a copy of a copy.
It is only the untalented director who imagines him or herself in every part, wants his or her own thoughts and emotions portrayed; it is only the untalented who make their own limitations those of the actors as well.
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