Killing a man in defense of an idea is not defending an idea; it is killing a man.
Jean-Luc GodardRead
To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body - both go together, they can't be separated.
Interpretation
Style and content are intertwined and should complement each other.
In this quote, Jean-Luc Godard emphasizes the essential relationship between style and content in art and expression. He suggests that just as the external and internal aspects of the human body are inseparable, the style of presenting ideas must harmonize with their underlying meaning, highlighting the importance of balance in creative works.
In practice
In a discussion about film direction, one could use this quote to advocate for the importance of integrating visual style with narrative depth.
Killing a man in defense of an idea is not defending an idea; it is killing a man.
I don't think you should feel about a film. You should feel about a woman, not a movie. You can't kiss a movie.
Sometime reality is too complex. Stories give it form.
More or less, I am always saying, 'Give me more. Let's do what has not been done.'
Objects exist and if one pays more attention to them than to people, it is precisely because they exist more than the people. Dead objects are still alive. Living people are often already dead.
Cinema is not a series of abstract ideas, but rather the phrasing of moments.
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level.
Reruns are wonderful because it usually indicates that they had something going for them to begin with and that's why you're still looking at them. And in both my shows, The Dick Van Dyke Show and the last one, they were so well written and so good they hold up.
At first, I found the music I was making really hard to find a home for. I felt like my attitude was really British, but not the actual sounds I was making. Back in 2003, when I made 'Galang,' there were no clubs that had an 'anything and everything' attitude.
My subject matter was a genuine sort of experience that came out of my life, particularly the American world in which I was privileged to be . . . . I would really think of the bakery counters, of the way the counter was lit, where the pies were placed, but I wanted just a piece of the experience. From when I worked in restaurants . . . [it was] always poetic to me.
I do not aspire to be in fashion. For what is in fashion, goes out of fashion _x000D_ If, on the contrary, your work is contested today, it doesn't matter. _x000D_ For when it is finally understood, it will be for eternity.
Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
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