There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level.
Interpretation
The quote expresses the profound impact of visual representation in art, particularly for marginalized communities.
Kehinde Wiley's quote reflects the deep emotional and spiritual connection that individuals can feel when they see their own identities and experiences represented in art. The mention of being 'strengthened on a cellular level' suggests that such representations have the power to affirm one’s existence and heritage, promoting a sense of belonging and empowerment through cultural visibility.
In practice
This quote can be used in a speech at an art exhibit showcasing works by artists of color.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
In fiction you're not often writing about the typical; you are interested in outliers, the points of interest. Part of it comes from feeling I was the only Asian or person of colour... another part comes from my personality: I'm an introvert, and my usual survival mode in a large group is to stand by a wall and watch everybody.
Today, architecture is invention. It isn't enough to just be rational - It must also be beautiful.
Drag is involved with changing identities and not taking identities too seriously at all. That's why drag is such a hard sell to a network - or anyone, really - because it's up against the ego.
For the source of the short story is usually lyrical. And all writers speak from, and speak to, emotions eternally the same in all of us: love, pity, terror do not show favorites or leave any of us out.
Master technique, so that technique NEVER prevents you from dancing.
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
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