If I body-shame a woman, it is more a reflection of me being critical of my body, me not being able to keep up to certain standards I have, and so making sure that the women around me feel the same way.
Rupi KaurRead
There was no market for poetry about trauma, abuse, loss, love, and healing through the lens of a Punjabi-Sikh immigrant woman.
Interpretation
This quote highlights the lack of representation for specific experiences in poetry.
Rupi Kaur's quote reflects on the challenges faced by marginalized voices, particularly those of Punjabi-Sikh immigrant women, in the literary world. It emphasizes how personal and cultural narratives related to trauma, love, and healing often go unnoticed in mainstream poetry, suggesting a need for broader acceptance and inclusion of diverse stories in the arts.
In practice
During a literary festival discussing marginalized voices in poetry.
If I body-shame a woman, it is more a reflection of me being critical of my body, me not being able to keep up to certain standards I have, and so making sure that the women around me feel the same way.
There have been articles saying that all women need to read my book. I ask, why not all men? In fact, that would be even more valuable because we women want to sit down with men and tell them - this is how we feel, this is what we go through.
When I was little, my dad told me about Anandpur Sahib and the court of Guru Gobind Singh. That we came from a tradition of poets, warriors and artists who created when it was illegal to create... we're groomed to be reckless in the defense of what we feel is right.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
The way a small child might dream of visiting Disneyland, I dreamed of writing books. Never did I think my poems would become that.
I was always writing for myself. I wrote what I needed to write and hear - that's what makes it powerful.
I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
Music is one of the last elements in the creative process. It can and hopefully should tie a bow around an artistic concept, how a story moves forward, the pace of that storytelling.
I don't like to write rhetorically or get on a soapbox. I try to make the stuff multi-layered, so that it always has a life outside its social context. I don't believe that you can tell people anything; you can only draw them in.
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