If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
Anton ChekhovRead
No matter how corrupt and unjust a convict may be, he loves fairness more than anything else. If the people placed over him are unfair, from year to year he lapses into an embittered state characterized by an extreme lack of faith.
Interpretation
The quote expresses the deep yearning for fairness universally held by individuals, even those who have committed wrongs.
Anton Chekhov's quote reflects a fundamental human desire for fairness and justice, which persists even among those who may appear corrupt or unjust. It highlights how a lack of fairness from authorities can lead to disillusionment and bitterness, suggesting that fairness is a crucial component of human dignity and belief in society's moral fabric.
In practice
This quote could be used in a speech about the importance of justice in the criminal justice system.
If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
There are still many more days of failure ahead, whole seasons of failure, things will go terribly wrong, you will have huge disappointments , but you have to prepare for that, you have to expect it and be resolute and follow your own path.
Any idiot can face a crisis - it's day to day living that wears you out.
To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.
When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
Let him that would move the world first move himself.
There is no detachment where there is no pain. And there is no pain endured without hatred or lying unless detachment is present too.
Clearly, mythology is no toy for children. Nor is it a matter of archaic, merely scholarly concern, of no moment to modern men of action. For its symbols (whether in the tangible form of images or in the abstract form of ideas) touch and release the deepest centers of motivation, moving literate and illiterate alike, moving mobs, moving civilizations.
People call you this or that. But I can't respond because then it seems like I'm defensive, you know, what does it matter, really?
You can put anything into words, except your own life.
The right to bear arms? What about the right to live?
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