After nourishment, shelter and companionship, stories are the thing we need most in the world.
Philip PullmanRead
Maybe, as a Chinese woman, I was never told I would be a filmmaker, so I didn't have the ego set up.
Interpretation
Chloe Zhao reflects on the impact of societal expectations on her identity as a filmmaker.
In this quote, Chloe Zhao discusses how her identity as a Chinese woman influenced her journey in becoming a filmmaker. She suggests that the lack of expectation for her to pursue this path led to a more authentic self-discovery, devoid of the ego that might come from being conditioned to view oneself as a filmmaker from a young age. This speaks to broader themes of identity, societal roles, and the unshackling of preconceived notions.
In practice
In a speech on diversity in film, one might quote Zhao to highlight the importance of authentic voices in storytelling.
After nourishment, shelter and companionship, stories are the thing we need most in the world.
Outlaws, like lovers, poets, and tubercular composers who cough blood onto piano keys, do their finest work in the slippery rays of the moon.
I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera.
I wrote my first novel and my second novel in Chicago. It was the place where I became a writer. It's my favorite city.
And so when studying faces, we do indeed measure them, but as painters, not as surveyors.
I'd rather direct than produce. Any day. And twice on Sunday.
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