But most commonly, it's one poem that I work on with a lot of intensity.
Philip LevineRead
Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.
Interpretation
Surround yourself with like-minded individuals who share your passion for poetry, and persist in your craft until you create meaningful work.
In this quote, Philip Levine emphasizes the importance of connecting with others who share your love for poetry. He advises poets to strive for authenticity and quality in their own work, encouraging them to continue honing their craft until they produce pieces that they can be proud of, regardless of the external validation they may receive. Ultimately, this approach may lead to unexpected success and appreciation for their art.
In practice
A mentor sharing these words with a budding poet at a workshop.
But most commonly, it's one poem that I work on with a lot of intensity.
I'm afraid we live at the mercy of a power, maybe a God, without mercy. And yet we find it, as I have, from others.
It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.
Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.
When I was a kid, I took 'The Brady Bunch' and 'The Partridge Family' very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus.
I believe in living a poetic life, an art full life. Everything we do from the way we raise our children to the way we welcome our friends is part of a large canvas we are creating.
A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.
Being an actor means asking people to look at you. I guess I accept that. But it's a profession in which the job is to show another world and other people. You may access it through bits of yourself, and your imagination and experience, but actually, in the end, you're not playing yourself.
Whenever I switch from one character to another, there's always a few days where I really struggle because I'm changing voices and I'm changing ways of looking at the world. I'm not just flicking a switch; it's harder process than that.
It's such a pleasant surprise when you come on set and you find someone in charge like Ken Branagh or James Ivory. You know that you're going to do a day's work and at the end of it, it's going to be good.
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