But most commonly, it's one poem that I work on with a lot of intensity.
Philip LevineRead
Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.
Interpretation
Surround yourself with like-minded individuals who share your passion for poetry, and persist in your craft until you create meaningful work.
In this quote, Philip Levine emphasizes the importance of connecting with others who share your love for poetry. He advises poets to strive for authenticity and quality in their own work, encouraging them to continue honing their craft until they produce pieces that they can be proud of, regardless of the external validation they may receive. Ultimately, this approach may lead to unexpected success and appreciation for their art.
In practice
A mentor sharing these words with a budding poet at a workshop.
But most commonly, it's one poem that I work on with a lot of intensity.
I'm afraid we live at the mercy of a power, maybe a God, without mercy. And yet we find it, as I have, from others.
It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.
Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.
Math and music are intimately related. Not necessarily on a conscious level, but sure.
Not all poetry wants to be storytelling. And not all storytelling wants to be poetry. But great storytellers and great poets share something in common: They had something to say, and did.
Superman is going to live forever. They'll be reading Superman in the next century when you and I are gone. I felt, in that respect, I was doing the same thing. I wanted to be known. I wasn't going to sell a comic that was going to die quickly.
You don't merely give over your creativity to making a film - you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night's washing-up.
I never knew I was a surrealist till Andre Breton came to Mexico and told me I was.
There is a word, in a verb, something sacred which forbids us from using it recklessly. To handle a language cunningly is to practice a kind of evocative sorcery.
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