But most commonly, it's one poem that I work on with a lot of intensity.
Philip LevineRead
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
Interpretation
A strong poetic voice must be present throughout the entire poem to convey its essence.
Philip Levine emphasizes the importance of a consistent and dominant voice in poetry. He believes that if the vibrant voice that gives life to the poem is not present throughout, he will eliminate the parts lacking it and reconstruct the poem to ensure that this vital voice is maintained, reflecting the essence of the poem's message.
In practice
An author discussing the importance of voice in a poetry workshop.
But most commonly, it's one poem that I work on with a lot of intensity.
Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.
I'm afraid we live at the mercy of a power, maybe a God, without mercy. And yet we find it, as I have, from others.
It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.
I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.
Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.
Often, especially young artists, you feel like you should be doing something. And I think that can be very destructive because creativity is about connecting with the stuff that's deep inside you and making something out of that.
If the world were clear, art would not exist.
My head is full of fire and grief and my tongue runs wild, pierced with shards of glass.
A painter must think of everything he sees as being there entirely for his own use and pleasure.
I would like, if I can, to broaden the possibilities of the musical theater. I think there's a better 'Oklahoma!' someplace, a better 'West Side Story.' And I'd like to be mixed up in it.
I grew up in what you might call a relentlessly creative household. We were given art supplies, music supplies... Our mother knew enough to get us started and then stand back and not meddle. My parents never said to us, 'Don't you think you'll need something to fall back on?' They acted as though creativity was completely normal.
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