An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, but I'm not sure.
Interpretation
Artists often distort reality as a response to the precision of photography.
Marcel Duchamp's quote reflects on the tension between traditional artistic practices and the advent of photography. He suggests that artists might feel compelled to distort reality in their work as a means of establishing their unique expression and responding to the challenge that photography imposes on representation. This indication of distortion serves as a creative rebellion against the lifelike accuracy that photography can provide, thus prompting artists to explore deeper philosophical and subjective interpretations of art.
In practice
In a discussion about modern art and its evolution.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
The approach to style is by way of plainness, simplicity, orderliness, sincerity.
No art is less spontaneous than mine. What I do is the result of reflection and the study of the great masters.
How many shows on TV do you see young black people, both women and men, really embody a full-fledged human being, flaws and all?
The charge frequently leveled against poetry - that it is difficult, obscure, hermetic and whatnot - indicates not the state of poetry but, frankly, the rung of the evolutionary ladder on which society is stuck.
My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
We're human beings, and we want stories. We're always going to be entertained and have our emotions touched by humanity and by things that we recognize in our own lives. So whilst every now and again we'll be happy to watch a bubblegum film, it's never gonna be the only things that get made.
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