The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the unclear voices of children, already gathered like crikets on the grass, rose through the hot twilight.
Interpretation
This quote captures a serene moment as day transforms into night, highlighting the beauty of a specific urban scene.
In this quote, F. Scott Fitzgerald paints a vivid image of twilight in a lively city, emphasizing the juxtaposition of the fading sunlight and the resonant sounds of children at play. The mention of movie stars hints at a glamorous life, while the scene's simplicity suggests a deeper longing for connection and beauty in everyday moments.
In practice
This quote could be used in a discussion about urban life in literature.
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
Technique does not constitute art. Nor is it a vague, fuzzy romantic quality known as ‘beauty,’ remote from the realities of everyday life. It is the depth and intensity of an artist’s experience that are the first importance in art.
When one starts writing a book, especially a novel, even the humblest person in the world hopes to become Homer.
To be a photographer, one must photograph. No amount of book learning, no checklist of seminars attended, can substitute for the simple act of making pictures.
My eyes make pictures when they are shut.
Directing is creating a whole. You're able to combine different elements and create a film that is unique and true to your vision.
Real people move, they bear with them the element of time. It is this fourth dimension of people that I try to capture in a photograph.
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