Most writers tend to get worse rather than better. I'm determined to be one that gets better.
Edmund WhiteRead
In a memoir, your main contract with the reader is to tell the truth, no matter how bizarre.
Interpretation
A memoir should always convey the truth, regardless of how strange it may seem.
In this quote, Edmund White emphasizes the importance of honesty in memoir writing. He suggests that the author's primary obligation to the reader is to present factual experiences and emotions, even if those experiences are unusual or difficult to believe. This commitment to truthfulness is what ultimately creates a genuine connection between the writer and the audience.
In practice
This quote can be used in a workshop for aspiring memoir writers to stress the importance of authenticity in their narratives.
Most writers tend to get worse rather than better. I'm determined to be one that gets better.
I've always seen writing as a way of telling the truth. For me, writing is about truth. I have always tried to be faithful to my own experience.
If bigots oppose gay marriage so vehemently, it must be because marriage is a defining institution for them; gays will never be fully accepted until they can marry and adopt, like anyone else.
When we are young... we often experience things in the present with a nostalgia-in-advance, but we seldom guess what we will truly prize years from now.
I was never an assimilationist. I always thought gays had some special mission.
The Stonewall riots were a key moment for gay people. Throughout modern history, gays had thought of themselves as something like a mental illness or maybe a sin or a crime. Gay liberation allowed us to make the leap to being a 'minority group,' which made life much easier.
The most influential books, and the truest in their influence, are works of fiction. They repeat, they re-arrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, but with a singular change-that monstrous, consuming ego of ours being, nonce, struck out.
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
A book is sent out into the world, and there is no way of fully anticipating the responses it will elicit. Consider the responses called forth by the Bible, Homer, Shakespeare - let alone contemporary poetry or a modern novel.
There are books so alive that you're always afraid that while you weren't reading, the book has gone and changed, has shifted like a river; while you went on living, it went on living too, and like a river moved on and moved away. No one has stepped twice into the same river. But did anyone ever step twice into the same book?
All modern American literature comes from one book by Mark Twain called Huckleberry Finn.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
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