The idea comes to me from outside of me - and is like a gift. I then take the idea and make it my own - that is where the skill lies.
Johannes BrahmsRead
Those are miracles that no merely human brain can work. The artist is merely the sound conduct of a Force that dictates to him what he should do.
Interpretation
The artist acts as a medium for a higher creative force beyond human capability.
Johannes Brahms suggests that the true essence of art stems from a divine or greater force that guides the artist's creativity. The artist does not solely rely on their intellect but instead channels something larger, producing what can be seen as miraculous creations that transcend ordinary human capability.
In practice
During a lecture on the role of inspiration in art, one might say this quote to illustrate the transcendental nature of creativity.
The idea comes to me from outside of me - and is like a gift. I then take the idea and make it my own - that is where the skill lies.
It is not hard to compose, but what is fabulously hard is to leave the superfluous notes under the table.
We cling nervously to the melody, but we don't handle it freely, we don't really make anything new out of it, we merely overload it.
Composers in the old days used to keep strictly to the base of the theme, as their real subject. Beethoven varies the melody, harmony and rhythms so beautifully.
The fact that most people do not understand and respect the very best things, such as Mozart's concertos, is what permits men like us to become famous.
Study Bach. There you will find everything.
This music is forever for me. It's the stage thing, that rush moment that you live for. It never lasts, but that's what you live for.
Music and language are a vital element. We, as actors and directors, offer it to people who want to experience it. Sometimes the actual meaning is less important than the words themselves.
For those colours which you wish to be beautiful, always first prepare a pure white ground.
Her soul trembled on her lips like a drop of dew on a flower.
All fiction, if it's successful, is going to appeal to the emotions. Emotion is really what fiction is all about. That's not to say fiction can't be thoughtful, or present some interesting or provocative ideas to make us think. But if you want to present an intellectual argument, nonfiction is a better tool. You can drive a nail with a shoe but a hammer is a better tool for that. But fiction is about emotional resonance, about making us feel things on a primal and visceral level.
What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
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