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Through money, democracy becomes its own destroyer, after money has destroyed intellect.
Oswald Spengler
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Interpretation

What this quote means

This quote suggests that the corrupting influence of money can undermine democracy and rational thought.

Oswald Spengler's quote reflects on the relationship between money, democracy, and intellect. He argues that the proliferation of money can lead to the degradation of intelligent discourse, which ultimately weakens the democratic processes. In this view, when financial interests supersede intellectual discussions, democracy may become compromised, highlighting the dangers of materialism in governance and public life.

Themes

MoneyDemocracyIntellectCorruptionPhilosophy

In practice

Example use cases

During a political debate, one might reference this quote to argue against corporate influence in politics.

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The individual's life is of importance to none besides himself: the point is whether he wishes to escape from history or give his life for it. History recks nothing of human logic
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In place of a world, there is a city, a point, in which the whole life of broad regions is collecting while the rest dries up. In place of a type-true people, born of and grown on the soil, there is a new sort of nomad, cohering unstably in fluid masses, the parasitical city dweller, traditionless, utterly matter-of-fact, religionless, clever, unfruitful, deeply contemptuous of the countryman and especially that highest form of countryman, the country gentleman.
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Man makes history; woman is history. The reproduction of the species is feminine: it runs steadily and quietly through all species, animal or human, through all short-lived cultures. It is primary, unchanging, everlasting, maternal, plantlike, and cultureless. If we look back we find that it is synonymous with life itself.
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Every Socialist outbreak only blazes new paths for Capitalism.
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If few can stand a long war without deterioration of soul, none can stand a long peace.
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It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.
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