The moon had risen behind him, the color of a shark's underbelly. It lit the ruined walls, and the skin of his arms and hands, with its sickly light, making him long for a mirror in which to study his face. Surely he'd be able to see the bones beneath the meat; the skull gleaming the way his teeth gleamed when he smiled. After all, wasn't that what a smile said? Hello, world, this is the way I'll look when the wet parts are rotted.
Interpretation
The quote reflects on the juxtaposition of life and decay, suggesting a deep introspection about existence and appearance.
In this quote by Clive Barker, the speaker observes the interplay between life and death as illuminated by the moon's light, which highlights not only his physical form but also the inevitable decay that comes with life. The imagery evokes a haunting awareness of mortality and the transient nature of beauty, suggesting that a smile can mask the reality of our mortal condition. The smile symbolizes a facade presented to the world, contrasting with the grim reminder of what lies beneath, thus inviting contemplation on how we perceive ourselves and our interactions with the world around us.
In practice
During a philosophical discussion on the nature of existence.
Of course it’s the apparently tranquil periods that deceive us. Though our instruments or our senses or our wits may not be able to see the processes that are leading toward these clusters of events, they’re happening. The star, the wheel, the butterfly—all are in a subtle state of unrest, waiting for the moment when some invisible mechanism signals that the time has come. Then the star explodes; the wheel makes poor men rich; the butterfly mates and dies.
We’re too much ourselves. Afraid of letting go of what we are, in case we are nothing, and holding on so tight, we lose everything else.
In this sense love is of a different order to any other phenomenon, for it may be both an event and a sign of that invisible mechanism I spoke of before; perhaps the finest sign, the most certain. In it’s throes we need neither luck nor science. We are the wheel, and the man who profits by it. We are the star, and the darkness it pierces. We are the butterfly, brief and beautiful.
Perhaps a wiser eye than hers would be able to read tomorrow in tonight's stars, but where was the fun in that? It was better not to know. Better to be alive in the Here and the Now--in this bright, laughing moment--and let the Hours to come take care of themselves.
With the inevitability of a tongue returning to probe a painful tooth, we come back and back and back again to our fears, sitting to talk them over with the eagerness of a hungry man before a full and steaming plate.
You cut up a thing that's alive and beautiful to find out how it's alive and why it's beautiful, and before you know it, it's neither of those things, and you're standing there with blood on your face and tears in your sight and only the terrible ache of guilt to show for it.
We are not meant to die merely in order to be dead. God could not want that for the creatures to whom He has given the breath of life. We die in order to live.
Dying should come easy: like a freight train you don't hear when your back is turned.
Look at it this way: There are many here among us for whom the life force is best represented by the livid twitching of one tortured nerve, or even a full-scale anxiety attack. I do not subscribe to this point of view 100 percent, but I understand it, have lived it. Thus the shriek, the caterwaul, the chainsaw gnarlgnashing, the yowl and the whizz that decapitates may be reheard by the adventurous or emotionally damaged as mellifluous bursts of unarguable affirmation.
What must strike any intelligent witch or wizard on studying the so-called history of the Elder Wand is that every man who claims to have owned it has insisted that it is "unbeatable," when the known facts of its passage through many owners' hands demonstrate that has it not only been beaten hundreds of times, but that it also attracts trouble as Grumble the Grubby Goat attracted flies.
One can see now how the idea of heaven takes hold of men's consciousness, how it gains ground even when all the props have been knocked from under it. There must be another world beside this swamp in which everything is dumped pell-mell. It's hard to imagine what it can be like, this heaven that men dream about.
There is nothing alive more agonized than man / of all that breathe and crawl across the earth.
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