Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.
William Carlos WilliamsRead
The Moon, the dried weeds and the Pleiades - Seven feet tall the dark, dried weed stalks make a part of the night a red lace on the milky blue sky
Interpretation
This quote captures the beauty of nature and the intricate details found within it.
In this quote, William Carlos Williams uses vivid imagery to evoke a serene and picturesque night scene where the moon and the Pleiades star cluster illuminate the sky, while dried weed stalks stand tall, creating a poetic contrast. This interplay of natural elements encourages the observer to appreciate the delicate beauty of the world around them, highlighting the connection between nature and art.
In practice
This quote could be used in a presentation about the importance of appreciating nature's beauty.
Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.
For the beginning is assuredly the end- since we know nothing, pure and simple, beyond our own complexities.
It was the love of love, the love of swallows up all else, a grateful love, a love of natural, of people, of animals, a love ingengering gentleness and goodness that moved meand that I saw in you
O frost bitten blossoms, That are unfolding your wings From out the envious black branches. Bloom quickly and make much of the sunshine. The twigs conspire against you! Hear hem! They hold you from behind.
No opinion can be trusted; even the facts may be nothing but a printer's error.
It is almost impossible to state what one in fact believes, because it is almost impossible to hold a belief and to define it at the same time.
I'm not a pyrotechnical director; I'm not good with all those innovative things. What I am interested in is how actors can touch the heads and hearts of an audience.
Influences come from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime accumulation of influence: experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experiences come to a peak and you work on two levels: conscious and unconscious.
No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.
I believe in creative control. No matter what anyone makes, they should have control over it.
Art is our defense against hysteria and death.
I believe that the best cameraman is one who recognizes the source, the story, as the basis of his work.
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