My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
My mother said to me, 'If you are a soldier, you will become a general. If you are a monk, you will become the Pope.' Instead, I was a painter, and became Picasso.
Interpretation
Embrace your unique path and talents rather than conforming to traditional roles.
This quote highlights the importance of individuality and self-discovery. Pablo Picasso reflects on how he was not bound by the expectations of typical professions like soldier or monk, but instead followed his passion for painting, which led him to become an iconic artist. It emphasizes that true greatness comes from pursuing one's own unique journey, regardless of societal norms.
In practice
In a speech about artistic freedom, one might say, 'As Picasso once illustrated, embrace your unique journey instead of conforming.'
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
I heard someone from the music business saying they are no longer looking for talent, they want people with a certain look and a willingness to cooperate. I thought, that's interesting, because I believe a total unwillingness to cooperate is what is necessary to be an artist β not for perverse reasons, but to protect your vision. The considerations of a corporation, especially now, have nothing to do with art or music. That's why I spend my time now painting.
The original sense of the word 'influence' is 'to flow into.' For the most part, these writers that I admire... their style flows into me without my intervention, which is what explains the broad range of writers who I've been compared with; it reflects my reading.
Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.
I don't need drugs. I am drugs.
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
Looking back now, if I went to film school, it probably would have helped knowing what the best of the best of foreign films were, but that wasn't the case. In some ways, I think that led to my originality, because I hadn't seen anybody else.
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