The way a character looks reflects what's on the inside. I can make myself look really bad, and I can make myself look kind of gorgeous. It's not about me; it's about the character.
Toni ColletteRead
When I watch a movie, someone's beauty isn't what engages me: it's what's going on internally. And I imagine it's what the audience thinks, too.
Interpretation
True beauty lies in the depth of emotions and character rather than superficial appearances.
Toni Collette's quote emphasizes that in the realm of film and perhaps in life, the internal struggles and characteristics of a person are far more compelling than their physical beauty. This highlights the importance of emotional depth and authenticity in storytelling, suggesting that audiences connect more with the narrative and emotional experiences than with mere appearances.
In practice
During a film discussion, you could use this quote to illustrate the importance of character development.
The way a character looks reflects what's on the inside. I can make myself look really bad, and I can make myself look kind of gorgeous. It's not about me; it's about the character.
I really only take roles that I love and that I have some kind of innate compulsion or need to tell that story. Although it's almost like I have no control over it. It's like they choose me.
The people who are most attractive to me are those who feel most comfortable in their skin - there's a sense of self-acceptance.
I just never want to repeat myself. I also don't want to be bored in life. The great luxury of being an actor is you get to be different people, and I would hate to be repetitive.
I love working. I love it! It makes me feel awake and alive and appreciative, as does my family, but in a different way. If I was told I couldn't do it, I think I would wither and die.
I want variety. I want versatility. Otherwise, I'm wasting the opportunity of being an actor, which is all about variation and change.
I like young actors because they're so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.
The best comedy and horror feel like they take place in reality. You have a rule or two you are bending or heightening, but the world around it is real.
I feel that buildings often have a workaday aspect that you see during the daylight hours, and a more resplendent side that emerges after dark.
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.
No good to paint in the head - what happens is what happens when you put the paint down - you can only hope that you are alert - ready - to see. What joy it is for paint to become a thing - a being. Believe in this miracle - it is your only hope. To will this transformation is not possible. Only a slow maturation can prepare the hand and eye to become quicker than ever. Ideas about art don't matter. They collapse anyway in front of the painting.
The idea of making audiences feel like they matter, that the theatre matters, and that they're a partner in the eventβthat's what fuels me as a director . . . I believe it's actually radical to think about the audience.
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