The way a character looks reflects what's on the inside. I can make myself look really bad, and I can make myself look kind of gorgeous. It's not about me; it's about the character.
Toni ColletteRead
When I watch a movie, someone's beauty isn't what engages me: it's what's going on internally. And I imagine it's what the audience thinks, too.
Interpretation
True beauty lies in the depth of emotions and character rather than superficial appearances.
Toni Collette's quote emphasizes that in the realm of film and perhaps in life, the internal struggles and characteristics of a person are far more compelling than their physical beauty. This highlights the importance of emotional depth and authenticity in storytelling, suggesting that audiences connect more with the narrative and emotional experiences than with mere appearances.
In practice
During a film discussion, you could use this quote to illustrate the importance of character development.
The way a character looks reflects what's on the inside. I can make myself look really bad, and I can make myself look kind of gorgeous. It's not about me; it's about the character.
I really only take roles that I love and that I have some kind of innate compulsion or need to tell that story. Although it's almost like I have no control over it. It's like they choose me.
The people who are most attractive to me are those who feel most comfortable in their skin - there's a sense of self-acceptance.
I just never want to repeat myself. I also don't want to be bored in life. The great luxury of being an actor is you get to be different people, and I would hate to be repetitive.
I love working. I love it! It makes me feel awake and alive and appreciative, as does my family, but in a different way. If I was told I couldn't do it, I think I would wither and die.
I want variety. I want versatility. Otherwise, I'm wasting the opportunity of being an actor, which is all about variation and change.
Why would somebody just read a novel when they can see it on TV or in the cinema? I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel, you can get right inside somebody's head.
I'm one of those people who says, 'yes, cinema died when they invented sound.'
What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.
The difficulty in the way of writing a children's play is that Barrie was born too soon. Many people must have felt the same about Shakespeare. We who came later have no chance. What fun to have been Adam, and to have had the whole world of plots and jokes and stories at one's disposal.
My opinion is that a poet should express the emotion of all the ages and the thought of his own.
Do you realize that people don't know how to read Kafka simply because they want to decipher him? Instead of letting themselves be carried away by his unequaled imagination, they look for allegories - and come up with nothing but clichΓ©s: life is absurd (or it is not absurd), God is beyond reach (or within reach), etc. You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.
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