In my limited experience, shows are like children. You can teach them manners and dress them in little sailor suits, but in the end, they're going to be who they're going to be.
Tina FeyRead
Making a movie is like a marathon, and commercials are like sprints - they're equally satisfying, but in different ways.
Interpretation
The quote compares the filmmaking process to a marathon and commercials to sprints, highlighting their different yet equally fulfilling nature.
In this quote, Tony Scott draws a parallel between making a movie and running a marathon, emphasizing that both require endurance and long-term commitment. Conversely, commercials are likened to sprints, where the focus is on short bursts of creativity and quick turnarounds. Scott suggests that while the processes are distinct, both offer satisfaction in their own right, showcasing the diversity and complexity of creative endeavors in the film industry.
In practice
During a speech at a film festival to inspire aspiring filmmakers.
In my limited experience, shows are like children. You can teach them manners and dress them in little sailor suits, but in the end, they're going to be who they're going to be.
The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
I am a camera with its shutter open, quite passive, recording, not thinking.
A lot of times, when people say hip-hop, they don't know what they're talking about. They just think of the rappers. When you talk about hip-hop, you're talking about the whole culture and movement. You have to take the whole culture for what it is.
If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.
You've got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.
Subscribe for the occasional hand-picked quote. No noise.