My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Sydney PollackRead
At some point during the filmmaking process, you lose objectivity, and you need the eyes of someone who understands the process and has been in the trenches.
Interpretation
Filmmakers often lose perspective during production and need trusted feedback from experienced colleagues.
This quote by Sydney Pollack highlights the importance of collaboration and external perspectives in the creative process of filmmaking. As filmmakers become deeply involved in their projects, they may struggle to maintain an objective view of their work. Therefore, seeking input from those who understand the intricacies of filmmaking and who have faced similar challenges can provide valuable insights and improve the final product.
In practice
During a film industry seminar discussing the importance of feedback.
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.
You hope that the responsibility of making movies will fall into the hands of essentially moral people.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
Design is a way of life, a point of view. It involves the whole complex of visual communications: talent, creative ability, manual skill, and technical knowledge. Aesthetics and economics, technology and psychology are intrinsically related to the process.
I don't need to write comics for a living. I have movies and TV for that. I write comics for one reason and one reason only: I love comics. I love the form, the structure, the storytelling process, I love everything about it.
The world of a comic strip ought to be a special place with its own logic and life... I don't want the issue of Hobbes's reality settled by a doll manufacturer.
Long before social media existed, the proto-tweets of advertising had penetrated American popular culture: 'A mind is a terrible thing to waste.' 'Where's the beef?' 'A diamond is forever.' 'Think different.' You'd be hard pressed to find a writer's craft that has more directly influenced the vernacular.
He stared up at the stars: and it seemed to him then that they were dancers, stately and graceful, performing a dance almost infinite in its complexity.
In no other sport is the connection between performer and observer so intimate, so frequently painful, so unresolved
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