I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Jane CampionRead
I'm a much better filmmaker than painter. But studying it did make me visually acute and taught me lessons like being economic: Say something once and you don't have to say it again.
Interpretation
The quote emphasizes the importance of being concise and impactful in artistic expression.
Jane Campion's quote reflects her belief that although she identifies more as a filmmaker than a painter, her study of painting has sharpened her visual perception and taught her valuable lessons about communication in art. By stating that one should aim to convey a message clearly and concisely, she highlights the merit of economy in artistic expression—encouraging artists to make every effort count without unnecessary repetition.
In practice
During a lecture on visual arts, you might use this quote to emphasize the value of clarity in artistic communication.
I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
It's a luxury to be able to tell a long form story. I love novels, and I love to have a long relationship with characters.
To deny women directors, as I suspect is happening in the States, is to deny the feminine vision.
What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.
One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.
Lord, heap miseries upon us yet entwine our arts with laughters low.
In order to fully realize how bad a popular play can be, it is necessary to see it twice.
If a novelist tells you something she knows or thinks, and you believe her, that is not because either of you think she is God, but because she is doing her work - as a novelist.
If you wait, people will forget your camera, and the soul will drift up into view.
For the writer, the serial killer is, abstractly, an analogue of the imagination's caprices and amorality; the sense that, no matter the dictates and even the wishes of the conscious social self, the life or will or purpose of the imagination is incomprehensible, unpredictable.
I don't outline at all; I don't find it useful, and I don't like the way it boxes me in. I like the element of surprise and spontaneity, of letting the story find its own way.
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