As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
Jim HensonRead
No, there's not much competition between puppeteers in general because everybody's working their own style.
Interpretation
Every puppeteer has a unique style, leading to little competition among them.
Jim Henson highlights the individuality and personal expression found in the craft of puppeteering. He suggests that rather than competing with one another, puppeteers celebrate their distinct styles, which enriches the art form and allows each artist to flourish in their own creative space.
In practice
In a motivational speech to aspiring artists to encourage them to embrace their unique styles.
As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
I think if you study--if you learn too much of what others have done, you may tend to take the same direction as everybody else.
The most sophisticated people I know - inside they are all children.
If our 'message' is anything, it's a positive approach to life. That life is basically good. People are basically good.
The only way the magic works is by hard work. But hard work can be fun.
The most sophisticated people I've ever known had just one thing in common: they were all in touch with their inner children.
The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture.
I wanted to write about looking at the world, so it's more about helping people, or persuading people, to see what is around us; both the marvellous and the terrible.
I've always believed that there's an amazing number of things you can do through a rock'n'roll song and that you can do serious writing in a rock song if you can somehow do it without losing the beat.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
I find that’s one of the great things about acting-you have the opportunity to stand in somebody else’s shoes. Each character faces a dilemma in her life, and as an actor you’re able to step into that character’s skin, look through her eyes. You leave transformed, a different person, because once you live a little bit of someone’s life, it changes you.
I regard the theatre as a serious business, one that makes or should make man more human, which is to say, less alone.
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