As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
O! for a muse of fire, that would ascend the brightest heaven of invention.
Interpretation
The quote expresses a longing for inspiration to create something extraordinary.
In this quote from Shakespeare, the speaker yearns for a source of inspiration, metaphorically depicted as a muse of fire, that can help them rise to the highest levels of creativity and invention. It reflects the profound desire of artists and writers to transcend ordinary boundaries in their work and achieve greatness through imagination.
In practice
This quote can be used during a speech about the creative process in art and literature.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
Artists know that diligence counts as much, if not more, as inspiration; in art, as in politics, patience counts as much as revolution.
Music expresses feeling and thought, without language; it was below and before speech, and it is above and beyond all words.
I don't design. I get what I think is a big idea, and I put the idea down. I'm not a designer. I'm a communicator.
A novelist has two lives-- a reading and writing life, and a lived life. he or she cannot be understood at all apart from this.
We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.
The Iron Man came to the top of the cliff. How far had he walked? Nobody knows. Where did he come from? Nobody knows. How was he made? Nobody knows. Taller than a house the Iron Man stood at the top of the cliff, at the very brink, in the darkness.
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