If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
Interpretation
Museums and bookstores should offer freedom for personal exploration and creativity.
In this quote, John Updike articulates the idea that museums and bookstores should be spaces of freedom and self-exploration, akin to vacant lots where individual curiosity and creativity can flourish without external pressures. He suggests that these environments should encourage people to engage with art and literature on their own terms, allowing for a personal and uninhibited experience.
In practice
During a speech about the importance of creativity in education, I quoted Updike to emphasize the need for free exploration.
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
Most of American life consists of driving somewhere and then returning home, wondering why the hell you went.
As a musician and a songwriter it is an act of the ego to believe that other people might be interested in your point of view. But it is usually an empathetic nature that gets you going in the first place. Music keeps the heart porous in many ways.
If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot.
An exhibition is in many ways a series of conversations. Between the artist and viewer, curator and viewer, and between the works of art themselves. It clicks when an exhibition feels like it has answered some questions, and raised even more.
Those who create are rare; those who cannot are numerous. Therefore, the latter are stronger.
There are professions more harmful than industrial design, but only a few.
The first among mankind will always be those who make something imperishable out of a sheet of paper, a canvas, a piece of marble, or a few sounds
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