If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
129 quotes
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
Most of American life consists of driving somewhere and then returning home, wondering why the hell you went.
The essential self is innocent, and when it tastes its own innocence knows that it lives for ever.
I feel old only when I look at my hands or at myself in the mirror.
My golf is so delicate, so tenuously wired together with silent inward prayers, exhortations and unstable visualizations, that the sheer pressure of an additional pair of eyes crumbles the whole rickety structure into rubble.
Think binary. When matter meets antimatter, both vanish, into pure energy. But both existed; I mean, there was a condition we'll call "existence." Think of one and minus one. Together they add up to zero, nothing, nada, niente, right? Picture them together, then picture them separating-peeling apart. ... Now you have something, you have two somethings, where once you had nothing.
For male and female alike, the bodies of the other sex are messages signaling what we must do - they are glowing signifiers of our own necessities.
Memories, impressions and emotions from the first 20 years on earth are most writers' main material; little that comes afterward is quite so rich and resonant.
Old age treats freelance writers pretty gently.
My attempt has been really to, beyond making a record of contemporary life, which is what you inevitably do, is trying to make beautiful books - books that are in some way beautiful, that are models of how to use the language, models of honest feeling, models of care.
Celebrity is a mask that eats into the face.
Golf camaraderie, like that of astronauts and Antarctic explorers, is based on a common experience of transcendence; fat or thin, scratch or duffer, we have been somerwhere together where non-golfers never go.
I think my first story sold for $550. This was in 1954, and it seemed like quite a lot of money, and I said to myself, 'Hey, I'm a professional writer now.'
To be a human being is to be in a state of tension between your appetites and your dreams, and the social realities around you and your obligations to your fellow man.
It skims in through the eye, and by means of the utterly delicate retina hurls shadows like insect legs inward for translation. Then an immense space opens up in silence and an endlessly fecund sub-universe the writer descends, and asks the reader to descend after him, not merely to gain instructions but also to experience delight, the delight of mind freed from matter and exultant in the strength it has stolen from matter.
New York is a city with virtually no habitable public space - only private spaces expensively maintained within the general disaster.
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