If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
Memories, impressions and emotions from the first 20 years on earth are most writers' main material; little that comes afterward is quite so rich and resonant.
Interpretation
The early experiences in life significantly shape a writer's creative material.
John Updike emphasizes the idea that the formative years of a writer's life, especially the first two decades, provide a wealth of vivid memories, impressions, and emotions that are more compelling than experiences encountered later. These early experiences serve as the foundation of their artistic expression and creativity, suggesting that the richness of youth is unparalleled in its influence on a writer's work.
In practice
In an essay about the importance of childhood in shaping one's creative voice.
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
Music is creation. In reggae the lyric, the music itself, arrangement, that vibe, such melody - everything within the music moves the people, understand?
To wake the soul by tender strokes of art, To raise the genius, and to mend the heart
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
The ultimate aim of all artistic activity is building! ... Architects, sculptors, painters, we must all get back to craft! ... The artist is a heightened manifestation of the craftsman. ... Let us form ... a new guild of craftsmen without the class divisions that set out to raise an arrogant barrier between craftsmen and artists! ... Let us together create the new building of the future which will be all in one: architecture and sculpture and painting.
Francie was ten years old when she first found an outlet in writing. What she wrote was of little consequence. What was important was that the attempt to write stories kept her straight on the dividing line between truth and fiction. If she had not found this outlet in writing, she might have grown up to be a tremendous liar.
Never play a thing the same way twice.
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