I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing and I cannot acquire the new. I have made an intense effort to feel the musical manner of today, but it will not come to me.
Sergei RachmaninoffRead
What is Music? How do you define it? Music is a calm moonlit night, the rustle of leaves in Summer. Music is the far off peal of bells at dusk! Music comes straight from the heart and talks only to the heart: it is Love! Music is the Sister of Poetry and her Mother is sorrow!
Interpretation
Music is an emotional expression that connects deeply to the human experience.
This quote by Sergei Rachmaninoff encapsulates the essence of music as an art form that transcends mere sound, describing it as a reflection of nature and emotions. It portrays music not only as a serene experience akin to a calm moonlit night or the sound of rustling leaves, but also as a profound connection from the heart, intertwining feelings of love, poetry, and even sorrow in its creation and appreciation.
In practice
A speaker at a music festival could use this quote to highlight the emotional connection of songs.
I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing and I cannot acquire the new. I have made an intense effort to feel the musical manner of today, but it will not come to me.
The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt - they meditate, protest, analyze, reason, calculate and brood, but they do not exalt.
Music is enough for a lifetime - but a lifetime is not enough for music.
As we lose our vagueness about ourself, our values, our life situation, we become available to the moment. It is there, in the particular, that we contact the creative self. Art lies in the moment of encounter: we meet our truth and we meet ourselves; we meet ourselves and we meet our self-expression .
What I dream of is an art of balance.
What was venerated as style was nothing more than an imperfection or flaw that revealed the guilty hand.
When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
People come to music to seek oblivion: is that not also a form of deception?
What I'm fighting for now in my work... for an expression relevant to all manner of blacks, poems I could take into a tavern, into the street, into the halls of a housing project.
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