One of my realizations is that if you revel over joy, you're going to ache over pain and get killed over hurt. Your span of feelings are going to go just as far one way as the other.
Chuck BerryRead
I directed my music to the teen-agers. I was 30 years old when I did 'Maybellene.' My school days had long been over when I did 'School Day,' but I was thinking of them.
Interpretation
Chuck Berry reflects on how he aimed his music at teenagers even as he aged, recalling his own school experiences.
In this quote, Chuck Berry expresses his connection to the youth culture through his music, highlighting how he created songs that resonated with the experiences of teenagers despite being older than them. Songs like 'Maybellene' and 'School Day' serve as a bridge between his past and the present teenage audience, showcasing the timeless nature of youth and the universal themes of growing up.
In practice
This quote could be cited during a discussion about the influence of nostalgia in music.
One of my realizations is that if you revel over joy, you're going to ache over pain and get killed over hurt. Your span of feelings are going to go just as far one way as the other.
Everything I wrote about wasn't about me, but about the people listening.
Rock is my child and my grandfather.
In the Fifties, there were certain places we couldn't ride on the bus, and now there is a possibility of a black man being in the White House. You have to feel good about it.
Hail, hail rock and roll / Deliver me from the days of old.
I wanted to play blues. But I wasn't blue enough. I wasn't like Muddy Waters, people who really had it hard. In our house, we had food on the table. We were doing well compared to many. So I concentrated on this fun and frolic, these novelties.
Hip hop is usually a bunch of guys talking to a bunch of guys, in my experience. It's homosocial, not homosexual, in that it's almost always all one gender in a room where it's being created. That locker-room environment has an impact on the language. I think the music suffers 'cause it allows an almost cartoonish level of misogyny.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
I'd love to do a duet, always wanted to work with Madonna, but she never asked.
Billie Holiday, Aretha Franklin. Now, they are so subtle, they can milk you with two notes. They can make you feel like they told you the whole universe. But I don't know that yet. All I got now is strength. Maybe if I keep singing, maybe I'll get it.
The bass is the link between harmony and rhythm. It is the foundation of a band. It is what all the other instruments stand upon, but it is rarely recognized as that.
When I saw Jimi Hendrix I knew immediately that this guy was the real thing ... and when he played it was like a rough sketch of what he was going to become ... this guy was our generation, and he wasn't in a suit .. he played a Howlin' Wolf song 'Killing Floor', and then we (The Cream) had to carry on the set. It was pretty hard to follow.
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