One of my realizations is that if you revel over joy, you're going to ache over pain and get killed over hurt. Your span of feelings are going to go just as far one way as the other.
Chuck BerryRead
I directed my music to the teen-agers. I was 30 years old when I did 'Maybellene.' My school days had long been over when I did 'School Day,' but I was thinking of them.
Interpretation
Chuck Berry reflects on how he aimed his music at teenagers even as he aged, recalling his own school experiences.
In this quote, Chuck Berry expresses his connection to the youth culture through his music, highlighting how he created songs that resonated with the experiences of teenagers despite being older than them. Songs like 'Maybellene' and 'School Day' serve as a bridge between his past and the present teenage audience, showcasing the timeless nature of youth and the universal themes of growing up.
In practice
This quote could be cited during a discussion about the influence of nostalgia in music.
One of my realizations is that if you revel over joy, you're going to ache over pain and get killed over hurt. Your span of feelings are going to go just as far one way as the other.
Everything I wrote about wasn't about me, but about the people listening.
Rock is my child and my grandfather.
In the Fifties, there were certain places we couldn't ride on the bus, and now there is a possibility of a black man being in the White House. You have to feel good about it.
Hail, hail rock and roll / Deliver me from the days of old.
I wanted to play blues. But I wasn't blue enough. I wasn't like Muddy Waters, people who really had it hard. In our house, we had food on the table. We were doing well compared to many. So I concentrated on this fun and frolic, these novelties.
Rock 'n' roll offered me a platform to speak what I felt. It also offered me a platform to support my mama and my brothers and sisters - twelve children.
I think my biggest musical hero growing up was probably Ian MacKaye. He set a great example for all of us local musicians. Still, to this day, I see him as the best example of a right-on musician.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.
I've had experiences where people say, 'I hated jazz before I heard you guys!' I'm like, 'You didn't hate jazz before you heard us; you hated the idea of jazz.'
I will keep playing as long as my body lets me, and as long as I'm wanted by my listeners. Because music is the only thing that keeps me going.
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