Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Pat MethenyRead
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
Interpretation
The guitar serves as a means to express deeper emotions and experiences through music rather than merely a goal.
In this quote, Pat Metheny conveys the idea that the guitar is not just an instrument for him but rather a medium through which he can explore and express the complexities of human experience and emotions. He sees jazz not as a final destination but as a journey that allows for deeper understanding and connection to the essence of music and human life.
In practice
In a speech about creativity at a music festival.
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.
There are musicians who go through their lives sort of shedding their skins. For me, I've always felt backward-compatible to Version 1.0.
When I started to sing like myself - as opposed to imitating Nat Cole, which I had done for a while - when I started singing like Ray Charles, it had this spiritual and churchy, this religious or gospel sound. It had this holiness and preachy tone to it. It was very controversial. I got a lot of criticism for it.
Like family, we are tied to each other. This is what all good musicians understand.
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
I grew up with the Grand Ole Opry, Dottie West, Conway Twitty, Buck Owens... not realizing it was influencing me as much as it was.
One of the things that touches me most when I play for an audience is that although we may be unable to communicate in words or have diametrically opposed views on hot-button issues, while the music sounds we can be at peace, we can be friends. The vibrations that fill an auditorium have no passports, and they unite ears when hearts may be divided.
I get a thrill meeting kids who are into alternative music.
Subscribe for the occasional hand-picked quote. No noise.