Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Pat MethenyRead
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
Interpretation
The guitar serves as a means to express deeper emotions and experiences through music rather than merely a goal.
In this quote, Pat Metheny conveys the idea that the guitar is not just an instrument for him but rather a medium through which he can explore and express the complexities of human experience and emotions. He sees jazz not as a final destination but as a journey that allows for deeper understanding and connection to the essence of music and human life.
In practice
In a speech about creativity at a music festival.
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.
There are musicians who go through their lives sort of shedding their skins. For me, I've always felt backward-compatible to Version 1.0.
My songs speak for themselves. The musicians who play on them and the way they sound and where they were recorded and the way they were recorded is the old Nashville way ... they sound as country or more country than a lot of things that are on country radio.
I'll be the first to admit that we're the 90's version of Cheap Trick or the Knack...
My definition of Blues is that it's a musical form which is very disciplined and structured coupled with a state of mind, and you can have either of those things but it's the two together that make it what it is. And you need to be a student for one, and a human being for the other, but those things alone don't do it.
It was an extraordinary connection, the synergy within the band. There was an area of ESP between Robert Plant, John Paul Jones, John Bonham, and myself.
Nobody could have predicted the effect of John Bonham's drum introduction on 'Good Times, Bad Times,' because no matter what he'd played in before, he'd never had the chance to flex his muscles and play like John Bonham.
When I'm singing the blues, I'm singing life.
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